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This column is for self
study or classroom use and gives guided help with reading the wide variety of writing styles and topics that appear as feature articles in the Bangkok Post. The lessons include background information, skill
building practice and vocabulary explanations.
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Somehow the stands that animated characters make are, in the eyes of authorities, less serious than the stands that live actors make. This is true for literature as well. A long novel will definitely draw much more criticism than a comic book illustrating the same kind of thoughts and ideas.
The animated film Persepolis, which has been picked into the top section of Cannes, isn't, however, really judgmental. The director/writer, describing the political climate in Iran during the 1970s and 1980s through the eyes of a young girl, seem to have a different kind of agenda.
Her goal isn't really political, but humanistic. The director, Iranian-French Marjane Satrapi, states that "if Western audiences end up considering Iranians as human beings just like the rest of us ... then I'd feel like I've done something". If an animated film can accomplish this, maybe the genre should be taken a little bit more seriously. What do you think?
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accomplish to succeed in doing something good
rigid
stands |
judgmental quick to criticize people
agenda |
humanistic relating to people, and the importance of always putting people and their needs in the center
genre |
Stubborn spiritNew animated film finds bitter humor in Iran's Islamic Revolution
Yet some dare to see the bitter humor in it. The social upheaval of Iran in the 1970s and '80s is seen through the eyes of a precocious girl in Persepolis, a black-and-white animated film that earned its place in the coveted Competition program of this year's Festival de Cannes. Adapted from a graphic novel by Iranian-French Marjane Satrapi, this autobiographical movie, directed by the author herself along with Vincent Paronnaud, will surely court sour gripes from the Iranian government, though Persepolis, despite its political nature, will hardly contribute any fresh dimension to the ongoing tension between the Ahmadinejad administration and the White House. "Persepolis" has aroused much curiosity since it was picked into the top section of Cannes, which is dominated by revered auteurs this year. This 2D cartoon, drawn by a French animation studio that chose to use a simple, sometimes whimsical drawing to narrate serious, at times disturbing stories, may not be a strong contender to win the Palme d'Or, but the film will surely receive much publicity due to its nature and origin. ''When the Persepolis graphic novels were first published [in France, in 2000], they had an immediate success and I got several offers to adapt them - I even got offered one to make a Beverly Hills 90210-style TV show and a movie starring Jennifer Lopez!'', said Satrapi. ''To be honest, I thought my work was finished when I completed the graphic novels, but when I started talking with my co-director Vincent about the film project I realized I not only had the opportunity to work with him, but also to experience something completely new.'' The movie begins with Satrapi as a child during the 1978 revolution, and follows her for 16 years as she grows up witnessing her relatives jailed and killed on charges of being Communists. Forced to cover herself, the young Satrapi reacts by embracing rock music and imported pop-culture, dodging the bearded Thought Police who roam Teheran's alleys catching unveiled women. She is later sent to study in Vienna, where she begins her uneasy assimilation into the Western mindset, before returning to Iran and later leaving for Paris. Mixing textbook exposition with pungent satire and childlike humor, Persepolis attempts to tell a national history through a family history. It gives us a casual sketch of a place where the people negotiate their way through the cracks in the system to sustain their need for happiness and freedom. The elastic black-and-white drawings render a stylized realism that accentuates the grotesque figures of the oppressors as well as the stubborn spirit of Satrapi and her parents. It's rather clear, however, that although Satrapi resents the unfairness and rigid control of Iran, she's torn between the longing for her homeland and the more practical choice of remaining in the West. ''The film is not judgmental'', said the director. ''It doesn't say this is right and this is wrong. It just shows that the situation has many layers. This isn't a politically oriented film with a message to sell. It is first and foremost a film about my love for my family.'' ''But if Western audiences end up considering Iranians as human beings just like the rest of us, and not just as abstract notions like Islamic fundamentalists or part of the Axis of Evil, then I'd feel like I've done something.'' It's unlikely that "Persepolis" will get a release in Thailand. The best chance is that one of the many film festivals in Bangkok will be interested in screening it.
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